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Activist Group Claims to Have Extracted Millions of Music Files from Spotify

An activist group has stated to have harvested millions of songs from the popular streaming service and is preparing to release them online.

Possible Impetus for AI Training

Industry experts noted the apparent leak could aid AI companies searching for material to develop their models.

A group known as Anna’s Archive said it had scraped 86 million audio tracks from the platform and 256 million entries of metadata such as performer and record names. The company, which carries more than 100 million songs, confirmed that the leak did not represent its entire inventory.

“We have located and disabled the nefarious user accounts that engaged in unlawful scraping,” said a company representative.

The Stockholm-based company, which has more than 700 million users worldwide, further explained that an investigation into unauthorised access found a third party scraped public metadata and employed illicit methods to bypass DRM [digital rights management].

Group's Declared Goal and Worries

The streaming service does not think the music acquired by Anna’s Archive has been made public yet. Anna’s Archive, which is recognized for providing links to copyright-infringing books, said in a blog it wanted to create a ‘historical repository’ for music.

The group claimed the music files accounted for 99.6% of all music streamed to by its listeners and would be shared via ‘peer-to-peer networks’, a method of sharing large data files online.

“Of course Spotify doesn’t have all the music in the world, but it’s a great start,” said Anna’s Archive, which frames its purpose as “safeguarding humanity’s information and culture”.

Model Development and Intellectual Property Battleground

A composer and campaigner for protecting artists’ rights, said the breached music would probably be used for developing artificial intelligence systems.

“Educating models on illegally sourced data is unfortunately widespread in the AI industry, so this accessed music is almost certain to end up training AI models,” he stated.

The Anna’s Archive site alludes to a large online archive, a huge online repository of copyrighted books that has allegedly been used by the parent company of Facebook to develop its AI models.

The co-founder of an artificial intelligence company posted on the professional network that individuals of the public could in theory “create their own private free version of the service”. The executive said it could also allow technology firms to “train on modern music at a large volume”.

Intellectual property law has become a key issue between artists, authors and creatives on one side and AI companies on the other.

Policy Considerations and Reactions

In the UK, artists and writers have raised concerns against a ministerial proposal to let AI companies use protected work without permission unless the rights holder signals. Almost every respondent to a government consultation on the idea has backed artists’ apprehensions.

A government minister for science, innovation and development informed parliament this month there was “little consensus” on the matter, adding that ministers would “take the time to get this right”. The administration has pledged to make policy proposals on AI and copyright by next year.

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The writer

Anna Dixon

Liam is a seasoned motorsport journalist with over 15 years of experience covering Formula 1 and UK racing circuits.

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