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Film Analysis: Sleaford Mods' Jason Williamson Takes On Character in Critical Look at Ecstasy Generation Era

The work of Bristol sound co-founder the musician-producer, this scabrous though slight debut feature casts a critical gaze on 90s rave culture. Self-serving pillhead David (Marc Bessant) first robs an passed-out supplier, then in another flashback tries to break into his own parents. In no time, he's overturned in the remains of his car in a forest – and subject to the angry eye of the Poacher (Sleaford Mods frontman Jason Williamson). Declining to free David, with no time for townies, he is a fractured society personified: “You’re one of those loud individuals from up on the heath.”

Unsteady Opening and Darkly Funny Duel

Game gets off to a shaky start, lingering excessively on meticulously detailing David’s attempt to free himself from his safety harness, while awkwardly transitioning into past scenes of his normal activities. The bigger point – that the rave-era youth were primarily out for number one – is firmly made. But these vignettes are too thin to adequately prepare us for what to expect when the Woodsman arrives, enraged after David strangles his dog. Nevertheless, a darkly funny standoff takes hold – David eager to get away; the Woodsman denying his container of scrumpy, intent on soaking him instead in embittered discourse. Williamson, projecting ponderous menace in the role, is reminiscent of Michael Smiley.

Stylish Imagery and Promo-Inspired Vibe

There is only one key story turn, but it results in a comically executed rampage on the forest trails that veers toward rural terror. Filmmaker John Minton finally gets to go all in with his ostentatious visuals: where he was focused intently doing impressionistic closeups of insects in the light in the opening part, he now lets rip with the full psychedelic grand display, soundtracked to a frenzied keyboard rendition of Ravel’s Boléro. Game feels more like an extended promo than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could emulate Jonathan Glazer, Garth Jennings and others into successfully graduating from the Brit music promo scene.

The film releases in UK and Irish theaters from November 17.

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The writer

Anna Dixon

Liam is a seasoned motorsport journalist with over 15 years of experience covering Formula 1 and UK racing circuits.

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